T.H.E. Division Course Offerings from Fall 1998 - Fall 2002

(in alphabetical order by professor's last name)

Professor Lester Brothers:

            Aspects of Romantic Society: The Symphonic Mass

               The Cyclic Mass 1480-1540

                The End of the Renaissance

                Second Thoughts:  Toward the Critical Assessment of Revisions

Professor Deanna Bush:

              Bach, Rameau, and Vivaldi: Critics and Interpreters of Their Culture

                  New Perspectives on the Classical Style: Issues of Form, Character, and Genre in Mozart’s Piano Concertos

                   Patterns of Meaning: Mozart's Da Ponte Operas in Context

Professor Gene Cho:

                Music Culture of China

Professor Michael Collins:

                Text Versification, Music, and Formal Structure in Baroque Opera

Professor Michael Cooper:

                Genre, Voice, and Meaning in the Solo Songs of Franz Schubert

                Intertextuality in Romantic Music

                    Robert Schumann as Song Composer and Critic

                    Ever Since Beethoven:  The Chamber Music of Mendelssohn, Schumann, and Brahms

                    The History of Musical Instruments

                    “Musiciens complets”: Felix Mendelssohn and Fanny Hensel

                    Theory and Practice: Compositional Processes in Music since 1700

Professor Steven Friedson:

                Divine Horsemen: Religious Music of the Black Atlantic

                Ethnomusicology: Field and Research Methods

                Music and Phenomenology

Professor Eileen M. Hayes

                African American Music

                Music and Social Identity: A Cross-Cultural Examination of Race, Gender, Sexuality and Music

Professor Frank Heidlberger:

                Paul Hindemith - The Composer between Foxtrot and Musica Mundana

                      Hector Berlioz: Composer, Critic and Poet in the Age of French Romanticism

Professor Bernardo Illari:

                            Music, Mode and Magic in the Cultures of the Early Modernity

Professor Timothy Jackson:

                Wagner's Tristan

                    Music and Drama in the German Symphonic Tradition from Beethoven to Richard Strauss: the Interaction between Program and Tonal Structure

Professor Mark McKnight:

                American Music

                    Introduction to Research

Professor Margaret Notley:

                Vienna, 1889-1911:  Music and Culture at the Turn of the Twentieth Century

                Types of Reception History:  Interpreting the Responses of Composers, Critics, and Audiences

                    Genre and Cultural Practice

                    Issues of Genre in the Music of Johannes Brahms

                    Neoclassicism: Style, Repertory, Ideology

Professor Graham Phipps:

                   The Musical Language of Richard Strauss

                 An Advanced Composition Course in Sixteenth and Seventeenth Century Contrapuntal Techniques

                 Anton Bruckner: Composer and Pedagogue

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Updated May 2003