PUBLICATIONS
Margaret
Notley
Refereed
Articles:
“Late-Nineteenth-Century
Chamber Music and the Cult of the Classical Adagio.” 19th-Century
Music
23/1 (Summer 1999): 33–61.
“Volksconcerte
in Vienna and Late Nineteenth-Century Ideology of the Symphony.”
The
Journal of the American Musicological Society
50/2–3 (Summer–Fall 1997): 421–54.
“Bruckner
and Viennese Wagnerism.”
In Bruckner Studies, ed.
Paul Hawkshaw and
Timothy L. Jackson, pp. 54–71. Cambridge
and New York: Cambridge
University Press, 1997.
“Brahms’s Cello
Sonata in F Major and Its Genesis: A Study in Half-StepRelations.”
In Brahms Studies I, ed. David
Brodbeck, pp. 139–60. Lincoln and
London: University of Nebraska Press,
1994.
“Brahms
as Liberal: Genre, Style, and Politics in Late Nineteenth-Century Vienna.”
19th-Century
Music 17/2 (Fall 1993): 107–23.
Invited
Articles:
"Capriccio,
The Rake's Progress, and the Limits of Irony." For Strauss
Studies, ed. Timothy L. Jackson and Graham
Phipps. Cambridge and New York: Cambridge University Press.
"Bruckner's
Adagios." For The Cambridge Companion to Bruckner, ed. John
Williamson. Cambridge and New York: Cambridge University Press.
“‘With
a Beethoven-Like Sublimity’: Beethoven in the Works of Other
Composers.” In The
Cambridge Companion to Beethoven, ed. Glenn Stanley,
pp. 239–54. Cambridge and New
York: Cambridge University Press, 2000.
“Musical
Culture in Vienna at the Turn of the Twentieth Century.”
In Schoenberg, Berg,
and Webern: A Companion to the Second Viennese School,
ed. Bryan R.
Simms, pp. 37–71. Westport, Conn.
and London: Greenwood Press, 1999.
“Discourse
and Allusion: The Chamber Music of Brahms.”
In Nineteenth-Century Chamber
Music, ed. Stephen E.
Hefling, pp. 242–86. Studies in
Musical Genres
and Repertories, vol. 8. New York:
Schirmer Books, 1998.
“Schubert’s
Social Music: The ‘Forgotten Genres.’”
In The Cambridge Companion to
Schubert, ed. Christopher
Gibbs, pp. 138–54. Cambridge and
New York:
Cambridge
University Press, 1997.
Reviews,
Notes, Shorter Articles, Translations:
Review
of Michael Musgrave, A Brahms Reader.
The American Brahms Society
Newsletter,
19/2
(Fall 2001): forthcoming
Translation
of Birgit Lodes, “Beethoven’s Sacred and Liturgical Compositions:
Songs, Oratorio, and Masses.” In The Cambridge Companion to Beethoven, ed.
Glenn Stanley, pp. 218–236. Cambridge
and New York: Cambridge University
Press, 2000.
Review-essay
on Johannes Brahms: Life and Letters,
edited by Styra Avins,
translated by Styra Avins and Josef
Eisinger; Johannes Brahms: Versuch einer
kritischen
Dokumentar-Biographie, by
Siegfried Kross; Johannes Brahms und seine
Zeit, 2nd ed., by Christian Martin Schmidt; and Johannes
Brahms: A
Biography,
by Jan Swafford. The
American Brahms
Society Newsletter 17/2
(Fall 1999): 8–9 and 18/1 (Spring 2000): 6–7.
Essays
on Brahms’s Piano Trio in B (op. 8), String Sextet in B-Flat (op. 18), Piano
Quartet in
A (op. 26), String Quintet in F (op. 88), String Quintet in G (op. 111),
band Clarinet Quintet in B Minor (op.
115). In The
Compleat Brahms: A Guide
to the Musical Works of Johannes Brahms, ed. Leon Botstein, pp. 104–106,
119–21, 134–44.
New York and London: W. W. Norton & Company, 1999.
Review
of Schubert’s Vienna, ed. Raymond
Erickson. Notes
55/2 (December 1998):
390–91.
“Brain-Music
by Brahms: Toward an Understanding of Sound and Expression in the Allegro
of the Clarinet Trio.” The
American Brahms Society Newsletter 16/2 (Autumn
1998): 1–3.
Review
of Johannes Brahms: Life and Letters,
ed. Styra Avins, trans. Styra Avins
and Josef Eisinger. Musicology
Australia 21 (1998): 69–70.
Review
of Johannes Brahms: An Annotated
Bibliography of the Literature through
1982,
by Thomas Quigley. Notes 50/2 (December 1993): 577–79.
Liner
Notes for Brahms: Violin Sonatas,
performed by Vladimir Spivakov and
Mikhail Rudy. Red Seal, 1993.