CONFERENCE
PAPERS
Margaret
Notley
Refereed
“The
Cult of the Classical Adagio and Brahms’s ‘First Maturity,’” at the
Annual
Meeting of the American
Musicological Society, Kansas City (November 1999)
“Absolute
Music as Universal Language in Turn-of-the-Century Vienna,” at the
Annual Meeting of the American
Musicological Society, Phoenix (October
1997)
“Genre
and Style as Ideology in Late Nineteenth-Century Vienna,” at
Brahms the
Contemporary:
Perspectives on Two Centuries,
Boston (April 1997)
“Bruckner’s
Offenbarungsmusik: The F-Major String
Quintet,” at the Annual
Meeting of the American Musicological Society, Minneapolis (October 1994)
“Sociopolitical
Implications of the Symphony in the Vienna of Bruckner and
Brahms,” at the International Conference on Nineteenth-Century Music,
University of Surrey (July 1994); and at the Fall Meeting of the New England
Chapter of the American Musicological Society, New Haven (September 1993)
“Brahms
as Liberal: The Bruckner-Brahms Controversy Reconsidered,” at the
Annual
Meeting of the American Musicological Society, Pittsburgh
(November
1992)
Invited
"Brahms
in the Twilight of Viennese Liberalism," at A Sense of Place:
Seventy-five Years of Musical and Musical-Liturgical Study at Yale, Yale
University (December 2001)
"Volksconcerte
and Concepts of Genre in Brahms's Vienna," at Brahms: Perspectives on
Performance, Boston University (April 2001)
“Stravinsky’s
Concerto for Two Solo Pianos and Ideology of the Classical,” at the
University
of North Texas (March 2000)
“Types
of Intertextuality in Brahms’s Chamber Music,” at The Brahms Symposium,
University of Kentucky (April
1997)
“Bruckner
and His Symphonies in Wagnerian Ideologies of the Late Nineteenth
Century,” at Perspectives
on Anton Bruckner as Composer, Theorist, Teacher,
and
Performer,
Connecticut College (February 1994)
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Dr. Notley