The UNT Organ program boasts faculty members with credentials from some of the top organ programs in the United States and Europe. In addition to being outstanding educators, organ faculty members are equally well regarded as performers, researchers, and composers.

Jesse Eschbach, DMA
(940) 565-4094
jeschbac@music.unt.edu
Recording: Maurice Durufle's Suite pour orgue Op. 5
Recorded live in concert at the Basilique Saint-Ouen, Rouen.
Aristide Cavaille-Coll, 1890.
Prelude
Sicilienne
Toccata

The 2004-05 season represents a significant milestone in the career of Jesse Eschbach. Diagnosed in 1994 with focal dystonia in the right hand, he suspended public performances and resigned from concert management in 1998. In 2003, the Cleveland Clinic announced an experimental therapy for dystonias and recommended that Eschbach be evaluated. Following six weeks in a cast and many months of retraining hand muscles and technique under the supervision of Dr. Kee Fedak, much of his facility returned and he is returning to performing.

Eschbach is a graduate of Indiana University and the University of Michigan where he was a student of Robert Glasgow. He completed his formal education during a five-year residency in Paris as a student of Marie-Claire Alain, specializing in early French music in her conservatory class at Rueil-Malmaison where he was awarded both a Prix d’Excellence and a Prix de Virtuosité. As one of the very last students of the legendary Marie-Madeleine Duruflé-Chevalier, he studied the complete organ works of her husband, Maurice Duruflé, as well as much of the French symphonic repertoire. Since 1986, Eschbach has served on the faculty at the University of North Texas as the full-time Professor of Organ, instructing performance majors at all levels, and is currently Chairman of the Division of Keyboard Studies. His students have dominated the annual San Antonio competition since 1995 and have won prizes in national competitions as well. A very active performer until 1998, Eschbach has several CDs to his credit, including a disc recorded at the Cathédrale de Perpignan entitled “Music of the Second Empire and Beyond”, released in June, 2003. Also released in 2003 was his 800+ page book, detailing the original stoplists of the majority of organs constructed by Aristide Cavaillé-Coll, based extensively on the Lapresté collection. This research is still in progress, and an expanded second edition will be released in the next few years. The first edition received a very positive “feature review” in the March, 2007 issue of The American Organist. Likewise, his CD recorded on the 1857 Aristide Cavaillé-Coll organ in Perpignan consisting of works by Lemmens, Franck, Gigout, Fessy, Schubert, and Couturier garnered high praise in a February, 2007 review in The Diapason.

Eschbach has pursued his technical studies with the renowned Sheila Paige, Director of the Piano Wellness Clinic. Based on the work of Dorothy Taubman but recast to reflect her own advances in promoting healthy technique, Paige equips her students with technical ease, fluency, and facility based on historical ideas known to musicians since at least the beginning of the nineteenth century. His work with Sheila Paige is now reflected in his own pedagogy.

Mark Scott
Sacred Music Seminars Instructor
muspms@ststephen-pcusa.com

See More on Sacred Music at UNT

Mark Scott was a Nordan Fine Arts Scholar at Texas Christian University in Ft. Worth where he earned two degrees: Organ Performance (1975) and Church Music (1975). He has done additional study at the Royal School of Church Music (England). His organ study has been with Lydia Grey, Madeline Henshaw and at TCU, with Emmet G. Smith. Choral studies at TCU were with B. R. Henson and Caro Carapeytan and private voice study with Desire Ligeti. He was elected to Pi Kappa Lambda in 1974.

Since 1975, Mark Scott has been the Minister of Music and Organist at St. Stephen Presbyterian Church in Ft. Worth where he is solely responsible for administration, teaching, conducting and accompanying a comprehensive music program including children's', youth, handbell and adult choirs. He is also the founder/administrator of the St. Stephen Special Series, presenting ten to fifteen events each season including organ recitals, choral concerts, instrumental concerts and jazz concerts. In 1993, Scott oversaw the rebuilding of the sanctuary organ. In 2000, Mr. Scott was granted a sabbatical leave for the purpose of studying plainsong which he spent in America, Gt. Britain and France, culminating in a three-week stay at the Abbaye Saint-Pierre in Solesmes, France. He has been the organ clinician at the annual Mo Ranch Music Conference. He has been chairman of the board as well as a guest conductor for the Schola Cantorum of Texas and was on the selection committee that chose current conductor; and was the interim conductor of the Arlington Choral Society for one season.

Professional memberships include American Choral Directors Association, Texas Choral Directors Association, American Guild of Organists, The Organ Club (Gt. Britain), Presbyterian Association of Musicians, and PALT, a theological study group. Mr. Scott is chairman of the board of the Kinderplatz of Fine Arts, a Ft. Worth school focused on learning through the arts.

Harpsichord & Organ Faculty

Lenora McCroskey, DMA
940-565-3724
mccroske@music.unt.edu

Lenora McCroskey has been professor of music in the College of Music since 1982. In adition to teaching organ and harpsichord, she is the assistant director of Early Music Studies, teaching Baroque performance practice, continuo, and coaching chamber ensembles. She was been responsible for instigating the on-going the Handel project at UNT with Graeme Jenkins of the Dallas Opera conducting professionals and pre-professionals in perfo-rmances of Handel oratorios. Her keyboard students have consistently won prizes in regional, national, and international competitions.

McCroskey performs extensively in this country on both organ and harpsichord, including recitals at conventions of the American Guild of Organists, the Organ Historical Society, and the Southeast Historical Keyboard Society. She performs with several historical instrument ensembles in the Dallas/Fort Worth area, including the Orchestra of New Spain, the Dallas Bach Society, and the Denton Bach Society. Recent appearances include solo recitals at the Meyerson Symphony Center, Dallas; Methuen Recital Hall, Methuen, MA; Old West Organ Series, Boston, MA; Piccolo Spoleto in Charleston, SC; and the University of California, Berkeley. International appearances include solo organ recitals at l'Eglise du Val-de-Grâce in Paris; continuo for the ensemble Musica Poetica at the Dresden Festival; and five concerts with countertenor Ryland Angel as artistic director of Fort Worth Early Music in Paris, and at the Brantôme Festival in France. She has appeared as continuoist with the Dallas Opera playing Monteverdi's L'Incoronazione di Poppea and Handel's Ariodante, and with Opera Colorado in Handel's Giulio Cesare.

Prior to her appointment at UNT, McCroskey was on the faculties of Stetson University, the Longy School in Cambridge, MA, and the Eastman School of Music of the University of Rochester, and was Assistant Organist/Choirmaster in the Memorial Church at Harvard University. She holds degrees from Stetson, where her organ study was with Paul Jenkins; Harvard, in musicology; and the Eastman School of Music, where her organ study was with Russell Saunders. She studied harpsichord with Gustav Leonhardt and continuo with Veronika Hampe at the Amsterdam Conservatory in the Netherlands.

She is a Fellow of the Mary Ingraham Bunting Institute of Radcliffe College, and is active in the Dallas Chapter of the American Guild of Organists, holding the office of Dean of the Chapter from 1987-1989.

For information on organ studies contact:
Dr. Jesse Eschbach, Chair, Keyboard Division
Phone: 940-565-4094
jeschbac@music.unt.edu