Parallaxes for four trombones (alto, two tenors, and bass) was composed between May and October of 1988 at the request of trombonist Andrew Glendening, to whom the work is dedicated. The five movements are played without pause, forming an arch-like continuum. The first movement, turbine, is an incessant, motoric music which utilizes the directional nature of the trombone by the rotation of the performers at center stage. The rhythmic drive of turbine eventually breaks down, leading into refleks, a more restrained continuation of the chorale-like closing section of the previous movement. A two-dimensional palindrome (mirroring being effected on both vertical and horizontal axes), refleks is characterized by a static surface which obscures the gradual tonal and registral unfolding. A subversion in the tonal stability and resultant textural flaccidity leads into the more ethereal and sparsely textured vapor, at which point the performers are at the far reaches of the performance space. The introduction of aberrant gestures sets the stage for rostra, a musical argument between the four players. As the exchange becomes more heated, the ostinato pattern which characterizes golem is introduced, gradually accelerating into a series of maniacally disruptive outbursts that eventually overtake the texture and thus conclude the piece.

Parallaxes was first performed at Indiana University on 1 April 1989, and received an ASCAP Grants to Young Composers Award in 1990.