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Composition Faculty
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Joseph
Klein—Professor of Composition and Chair of the Division
of Composition Studies. California State Polytechnic University,
Pomona (BA, 1984); University of California, San Diego (MA, 1986);
Indiana University (DM, 1991). Composition studies with Roger Reynolds,
Robert Erickson, Harvey Sollberger, and Claude Baker. Interests
in intermedia composition, musical process, and fractal aesthetics.
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| Office: E-mail: Web Site: |
MU 2005; (940)565-4926
jklein@music.unt.edu www.music.unt.edu/comp/jklein |
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David Bithell—Assistant Professor of Composition. University of California, San Diego (BA, 1999); University of California, Berkeley (MA, 2001; PhD, 2004). Composition and computer music studies with Edmund Campion, David Wessel, Roger Reynolds, Brian Ferneyhough, and Cindy Cox; contemporary trumpet performance studies with Edwin Harkins. Interests in multimedia, experimental music theater, improvisation, and creative transcription. |
| Office: E-mail: Web Site: |
MU 108;
(940)565-3763 dbithell@music.unt.edu www.davidbithell.com |
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Andrew May—Assistant Professor of Composition and Director of CEMI. Yale University (BA, 1990); California Institute of the Arts (MFA 1994); University of California, San Diego (PhD, 2000). Composition and computer music studies with Roger Reynolds, Miller Puckette, Mel Powell, and Jonathan Berger. Interests in chamber music with live interactive computer systems, statistical models of musical behavior, and extended notations and improvisation; also an active violinist. |
| Office: E-mail: |
MU 1003 •
(940)891-6816 (w) amay@music.unt.edu |
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Elizabeth McNutt—Lecturer of Composition, Director of Nova Ensemble. St. Louis Conservatory (BM, 1990); University of California, San Diego (MA, 1994; DMA, 2000). Flute studies with Harvey Sollberger, John Fonville, and Jacob Berg; computer music studies with Miller Puckette. Interests in performance of experimental and virtuosic new repertoire, including computer music; collaboration in development of new works. |
| Office: E-mail: |
MU 107; (940) 565-3706 emcnutt@music.unt.edu |
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Cindy McTee—Regents Professor of Composition. Pacific Lutheran University (BM,1975); Yale University (MM, 1978); University of Iowa (PhD, 1981). Composition studies with Krzysztof Penderecki, Jacob Druckman, Bruce MacCombie, and Richard Hervig. Recent work reflects interests in psychology, literature, and aesthetics. |
| Office: E-mail: Web Site: |
MU 2004; (940)565-4652
mctee@unt.edu www.cindymctee.com |
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Jon Christopher Nelson—Professor of Composition and Associate Dean of the College of Music. Bethel College (BA, 1982); Brandeis University (MFA, 1988; PhD, 1991). Composition studies with Allen Anderson, Arthur Berger, Martin Boykan, and Charles Dodge. Extensive experience in electroacoustic and acoustic music with specializations in software synthesis, digital signal processing, and set-theoretical compositional strategies. |
| Office: E-mail: Web Site: |
MU 2003, MU247F;
(940)369-7531 jnelson@music.unt.edu web3.music.unt.edu/comp/jcnelson |
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Phil Winsor—Professor of Composition. Illinois Wesleyan University (BM, 1960); San Francisco State University (MA, 1964). Composition studies with Will Ogden, Robert Erickson, Sal Martirano, and Luigi Nono. Interests in algorithmic composition, video, and intermedia. |
E-mail: Web Site: |
jworlton@library.unt.edu www.music.unt.edu/comp/pwinsor |
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James Worlton —Visiting Lecturer of Composition (fall 2007). Brigham Young University (BM, 1995; MM, 1998); University of North Texas (DMA, 2003). Composition studies with Joseph Klein, Jon Nelson, Cindy McTee, David Sargent, and Murray Boren. Works include chamber, solo, and orchestral works, reflecting an interest in the relationship between algorithmic composition and a composer's intuition. |
| Office: E-mail: Web Site: |
MU 2004; (940)565-4651 jworlton@aol.com www.geocities.com/jamesworlton |
| Mr. Nick Bober
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Gary Knudson Ms. Jing Wang |