Select from the following:
Improvisations for Orchestra and Jazz Soloists (1961): 3 soloists (tpt or alt sax; perc set, db)/2222/4331/tmp/perc (2)/pno (cel)/str (optional version without vns); MJQ; 14'; video cassette: "Leonard Bernstein's Young People's Concerts with the New York Philharmonic: Jazz in the Concert Hall," The Leonard Bernstein Society, c/o W.T.S., Inc., 121 Prestige Park Circle, East Hartford, CT 06108.
Sinfonia Concertante: A Mozartean Episode (1986), chamber orchestra, tape narrative: fl, ob, cl, bsn, hn, tpt, timp, hrp, pno, 2 vn, va, vc, db, tape; ACE; 17'; cd: V. 1, CDCMs, CR, CRC2029, 1988.Program Notes
Open Style for Orchestra with Piano Soloist (1965): pno soloist/3242/4331/perc (4)/str; GM; 6'.
Catharsis: Open Style for One Large and One Small Improvisation Ensemble, Tape, and Conductor (1965): large ens = sym orch or sym wind ens / small ens = 3 - 7 wnd, brass, perc, str, and/or kybd; GM; 9'.
Life Pulse Prelude (1974-84), 20-member percussion orchestra or, optionally, live plus recorded percussionists (1996); based on sketches for percussion orchestra music from Ives's unfinished "Universe Symphony"; PC; 24'; cd: V. 12, CDCMs, CR, CRC 2133, 1992.Program Notes
Clarini! (1985), 20-member tpt choir; ACE; 4'.Program Notes
Protoforms: Fractals for 'Cello Choir and Computer Band (1981), 13 vcs, tape; LA; 12'.
Quadrants: Event/Complex No. 1 (1972), symphonic wind ensemble: 2 piccs, 6 fls (4 w/picc), 16 cls, 1 alt cl, 2 bass cls, 1 contra-alt cl, 2 bn, 1 contrabsn, 8 tpts, 4 hns, 6 tbns, 4 tubas, 4 db, 4 perc, tape; PC; 9'. Recording
Agape Set (1971), jazz orchestra: 5 saxs, 5 tpts, 4 trbns, perc set, pno, db; ACE; 30'.
In Memoriam JFK (1964), symphonic wind ensemble: picc, 2 fls, Eb cl, 6 cls, bass cl, 2 alt saxs, tnr sax, bari sax, 2 obs, Eng hn, 2 bns, 6 tpts, 4 hns, euph, 3 tbns, tuba, 7 perc; LA; 10'.
Fantasy on a Theme by Berg (1960), jazz orchestra: 5 saxs, 5 tpts, 4 trbns, perc set, pno, db; LA; 10'.
Ottuplo! (1998-2000), four inter-episodes for real and virtual (ADAT) string quartet: Segnali e risposti; Ottacordi e ottavi; Presto e libero; Otta-dia, scampanio; commissioned by the Smith Quartet; LAM; duration, 11:50. Program Notes
RomaDue: Sounds and Movements for Improvisation Ensemble, Dancers, and Tape (1965, rev., 1997), commissioned by the New York New Music and Dance Ensemble, Esther Lamneck, director; LA; 10. Program Notes.Variations...beyond Pierrot (1993-95), a sound-play, sopr, fl/picc, cl/bass cl, vn, vc, pno, electronics/tape; LA; 30'.Program Notes , Recording
Beachcombers (1983), live-electronic music for four musicians, tape, DL; 20'-30' cd: V. 9, CDCMs, CR, CRC 2078, 1991.Program Notes Recording
art is self-alteration is Cage is... (1982), db quartet (optional db ensemble in multiples of 4 or db soloist with tape); LA; 10'-15'; cd: "A Chance Operation: The John Cage Tribute," Koch International Classics, 3-7238-2 Y6x2, 1993.Program Notes
Canadian Coastlines: Canonic Fractals for Musicians and Computer Band (1981), eight musicians: tape plus optional combinations of voices, strs, wnds, perc, kybds; ACE; 10'; cd: V. 19, CDCMs, CR, CRC 2219.Program Notes
Second Fantasy on Ives's Universe Symphony--The Heavens (1976), cl, va, pno/cel, perc, tape; ACE; 17'.
First Fantasy on Ives's Universe Symphony--The Earth (1975), double brass quintet (4 tpts, 2 hns, 4 trbns, 2 tubas), narrator, tape; ACE; 17'.
Tableaux Vivants (1973, rev. 1981), 4-6 musicians (optional combinations of strs, wnds, perc, kybds, voices), tape, slides; LA; 13'.Program Notes
Quartet in Open Style (1964), 2 vns, va, vc; ACE; 20'.
Continuum: Open Style for a Number of Instruments (1964): optional combinations of fl/alt fl, ob/Eng hn, bn/cbn, tpt/Flglhn, db, perc, hpschd/cel; ACE; 12'.Program Notes
A Broken Consort (1962), fl, cl, tpt, hn, pno, cb, dr set; MJQ; 13'.
Homecoming: A Cantata for Soprano and Jazz Quintet, tpt, tnr sax, pno, db, dr set (1958-9); LA; 10'.
The Maze: A Theater Piece in Open Style for Three Percussionists, Dancer, Tapes, Machines, and Projections (1966); LA; 31'.
Roma: A Theater Piece in Open Style for Improvisation Ensemble and Tape (1965): optional combinations of 3 - 5 wnd, brass, perc, str, kybrd; LA; 16'.
Redux (2007), for violin and octophonic computer music; commissioned by violinist Patricia Strange; premiere performance on May 14, 2007, Recital Hall, University of Maryland, Baltimore County; LAM; duration, 7:30. Program Notes
Les Flūtes de Pan: Hommage ą Debussy (2006), for flute (piccolo), octophonic computer music, and dancers (optional); commissioned by flutist Jacqueline Martelle; premiere performance on March 15, 2007, at the Experimental Intermedia Foundation, New York, LAM, duration, 7:30. Program Notes
Adagio: Convolutions on a Theme by Mozart (2005), for clarinet and computer; commissioned and first performed by clarinetist F. Gerard Errante, premiere performance on October 27, 2005, as part of the 26th Annual New Music & Art Festival, presented by the MidAmerican Center for Contemporary Music, Bowling Green State University, Bowling Green, Ohio., LAM, duration, 10:00. Program Notes.
Tableaux: Convolutions on a Theme (2003), for alto saxophone and octophonic computer music; commissioned and first performed by saxophonist Stephen Duke in concert at the Recital Hall, Northern Illinois University, DeKalb, Feb. 10, 2004; LAM, duration, 16:00. Program Notes.Threnos, for 1, 2, 4, or 8 bass clarinets, real (live) and virtual (computer/ADAT) (2001-2002), with octophonic computer music; commissioned and premiered by bass clarinetist Michael Lowenstern; in an Interpretations Series concert at Merkin Concert Hall, New York, NY, Jan. 30, 2003; LAM, duration, 7:30. Program Notes. Recording.
¡Tarogato! (1998), for tarogato (opt. cl, sop sax, or bass cl), dancer(s), and octophonic computer music on tape (opt. stereo tape); commissioned by the New York New Music and Dance Ensemble, Esther Lamneck, director; LA, 11. Program Notes.Singing!...the music of my own time (1996-98), a sound-portrait of singer Thomas Buckner with octophonic computer music on ADAT, interpreted as a sound-play, in three parts, by Thomas Buckner, baritone voice; commissioned by Thomas Buckner; LA; duration, 25:00. Program Notes.
BluesAx (1995), saxophonist (sop/alt saxs), tape/electronics; Magisterium Prize, Bourges, 1996; LA; duration, 19'; cd: Cultures Electroniques 9, GMEB, Mnemosyne Musicque Media, CD278060/61, 1997.Program Notes, Recording
Quadrants: Event/Complex No. 4 (1972, rev. 1994), for pianist and Yamaha Disclavier piano and tape/electronics; ACE; 9'; cd: V. 19, CDCMs, CR, CRC 2219, 1994.Program Notes, Recording
AccidentsTwo: Sound Projections for Piano with Computer Music (1992), pianist and tape/electronics; LA; 20'; cd: V. 19, CDCMs, CR, CRC 2219, 1994.Program Notes , Recording
La Barbara: The Name/The Sounds/The Music (1991), voice with computer music, LA; 23'; cd: V. 13, CDCMs, CR, CRC 2166, 1993.Program Notes
Montage: Themes and Variations for Violin and Computer Music on Tape (1985), Semar Editore, Rome; 13'; cd: V. 10, CDCMs, CR, CRC 2110, 1991.Program Notes
Sonata Concertante (1983-4), pno, tape, BP; 11'; cd: Vol. 1, CDCMs, CR, CRC 2029, 1988.Program Notes ,Recording
Catalogo Sonoro--'Narcisso' (1978), va, tape; ACE; 10'
Quadrants: Event/Complex Nos. 11 (1977), 10 (1976), 9 (1974), 8, 7, 6, 4, 3 (1973), performed singly or in any combination, but always with Quadrants tape, respectively, db, trbn, perc, va, fl, cl, vc, pno, vn; ACE; 9'.
Prelude and Postlude to Plastic Surgery (1971), a film and theatre piece: pno/electronic kybd, film, tape; LA; 15'.
Accidents (1967), a theater piece for electronically prepared pno; LA; 20'; cd: V. 19, CDCMs, CR, CRC 2219, 1994; lp: DL, Source Records, SR13, 1968. Recording
Bass: A Theater Piece in Open Style for String Bass, Player, Tape, and Film (1966); LA; 11'.
Changes: Open Style for Trombone and Tape (1965); LA; 10'.
Tango Violento (1984), pno; LA; 3'.
Charley's Cornet (1976), crnt, pno; PC; 5'. Recording
Current (1964), cl, pno; LA; 10'.
Piano Set in Open Style (1964); LA; 10'.
Piano Variations (1960); MJQ; 10'. Recording
Quadrants: Event/Complex No. 2 (1972), chorus, tape; LA; 9'.
Euphonia 2344: An Intermezzo in Five Scenes (1988), satb quartet, tape; Thomas Holliday, librettist; LA; 45'.
Euphonia: A Tale of the Future (1981-82), opera in two acts based on Hector Berlioz's tale of the "Twenty-fifth Evening" from his "Evenings with the Orchestra"; Thomas Holliday, librettist; principals: sop, mezzo-sop, contralto, ten, bass; satb chorus; chamber orchestra: 1111/111/timp/perc/pno/hrp/str (54321), tape; LA; 2 hours.
Catalogo Voce (1979), a mini-opera for bass-baritone, tape, slides; ACE; 11'.
Ceremony (1980), sop or ten, org; LA;15'.
Williams [re]Mix[ed] (1997-2000), for octophonic computer music system (ADAT), based on John Cage's Williams Mix (1951-53), for eight magnetic tapes: The Theme Restored; Six Short Variations: A-city sounds, B-country sounds, C-electronic sounds, D-manually produced sounds, E-wind produced sounds, F-small sounds; The Nth Realization; commissioned by the International Institute for Electroacoustic Music, Bourges, France, with sponsorship and support from the John Cage Trust and C. F. Peters Corporation; LAM, duration, 19 to 23 minutes. Program Notes
Djuro's Tree (1997) , octophonic computer music, ADAT, commissioned and published by Borik Press; 12:30. Program NotesShin-Edo: CityscapeSet (1994-96)--Ikebukuro/Sunshine City - Rikugien Garden- Kunitachi morning- "Tamagawa-josui desu." - Shinjuku/Ginza; BP; 20'.Program Notes Recording.
¡Rompido! (1993): GraniteHarp - ThunderStone - SteleMusic; BP; 25'; cd: V. 24, CDCMs, CR, 1996.Program Notes , Recording
SoundPoemSet: PaulineOliveros/JerryHunt/MortonSubotnick/DavidTudor (1990-91); BP; 19; cd: V. 16, CDCMs, CR, CRC2193, 1994.Program Notes
Ludus Fractalis (1984), video tape composition; BP; 11'.Program Notes
*Stars (1982); GM; 8'; audio cassette (ac), "Computer Music on Tape: Five Pieces by Larry Austin," DL, LA-R-3, 1990.Program Notes
Protoforms: Fractals for Computer Band (1980); LA;10'; ibid.
Phoenix (1974); LA; 10'; ibid.
Nineteen seventy-six (1973); LA; 16'; ibid.
Quadrants (1972); ACE; ibid.
Primal Hybrid (1972); LA; 11'.
Quartet Four (1971); LA; 8'.
Quartet Three (1971); LA; 12'.
Caritas
(1969) ; LA; 30'; lp: Source Records, SR17, DL, 1970.